Wreckless Eric is Eric Goulden. He was given the name to hide behind. After a while he realized he was stuck with it. Onstage he hides behind nothing, he tells the truth with big open chords, lilting enchantment, squalls of feedback, dissonance, bizarre stories and backchat.
Eric began his recording life on Stiff Records in 1977 with his enduring hit Whole Wide World when he was little more than an ex-teenage art student. Eventually he sidestepped the mechanics of stardom to become Britain’s biggest underground household name, much loved and often underestimated.
He shuns the dictates of nostalgia and doesn’t do comebacks because he never went away. He won’t recreate 1978 for you, he’ll blow your mind instead. Forty years of touring have left him in good shape. He’s coming to town.
His latest album ‘amERICa’ is available on Fire Records.
Eric Goulden (Wreckless Eric): vocals, electric and acoustic guitars, piano
Artie Barbato: bass guitar, trumpet
Amy Rigby: electric guitar, keyboards, harmonies
Doug Wygal: drums
‘amERICa’ isn’t complacent or satisfied; Wreckless Eric anatomizes his surroundings with the wide-eyed thrill of discovery. His American flyover reveals simmering cultural disturbances and essential beauty alike.
Wreckless Eric has always been a pop musician. That is, he writes melodies with hooks in the chorus and fills his verses with quick, vivid details aimed to make you nod your head in recognition. The precise nostalgia and wry yearning he brings to this slice of autobiography rings true, funny and poignant.
Ken Tucker, NPR/Fresh Air
…we all thought he’d just play a few songs from his new album, “amERICa”, a few classics from his Stiff Records years, and we’d go home after hearing “Whole Wide World”. But this was not a night of an old rocker going through the motions. It was an evening of pure rock and roll; an evening of performance art with a garage-rock flavor.It was a combination of Neil Young’s “Ragged Glory” era, Wilco’s “Yankee Hotel Foxtrot”, Lou Reed’s “Metal Machine Music”, and any album in the Sonic Youth catalog. Song began with layers and layers of different frequencies of noise and ended with these sounds blending into the next tune. It was almost like a 90-minute medley of Wreckless Eric’s best songs.
Scott Hudson, Argus Leader / Live Ledge
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